Editing Romanticism in Music (section)

== <span style="color: #FFFFFF;">Analyzing</span> ==
{| class="wikitable"
|+ Classical vs. Romantic
! Feature !! Classical (The Universal) !! Romantic (The Individual)
|-
| Goal || "Beauty and Balance" || "Truth and Emotion"
|-
| Scale || "Moderate / Restrained" || "Massive / Ornate"
|-
| Relationship to Art || "Independent" || "Connected to Poetry/Literature"
|-
| Harmonies || "Simple and Stable" || "Chromatic and Tense"
|-
| Analogy || A 'Sun-lit Garden' || A 'Stormy Mountain at Night'
|}

'''The Concept of "The Sublime"''': Analyzing "The Awe." Romantic composers didn't want you to just "Enjoy" the music; they wanted you to be **"Overwhelmed"** by it. They used "Extreme Volume," "Extreme Speed," and "Extreme Sadness" to "Push" the listener into a "State of Transcendence." It is "Music as a Spiritual Experience."
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