Editing The Ontology of Art (section)

== <span style="color: #FFFFFF;">Remembering</span> ==
* '''Ontology of Art''' — The branch of philosophy concerned with the "Metaphysical Status" of artworks (e.g., 'Are they physical, mental, or abstract?').
* '''Autographic Art''' (Goodman) — Art where "The original matters" (e.g., 'A Painting' or 'A Statue'). A "Perfect Copy" is a "Forgery."
* '''Allographic Art''' (Goodman) — Art where "The Notation is the art" (e.g., 'A Symphony' or 'A Novel'). Every "Copy" or "Performance" is the "Real Art."
* '''Physicalism''' — The view that the artwork **IS** the physical object (The 'Canvas and Paint').
* '''Idealism''' (Collingwood) — The view that the artwork **IS** the "Idea" or "Image" in the "Artist's Mind," and the physical object is just a "Record" of it.
* '''Type-Token Distinction''':
** '''Type''': The abstract work (e.g., 'The Song "Yesterday"').
** '''Token''': Each specific instance (e.g., 'The MP3 playing on your phone' or 'The band playing it live').
* '''Eternalism''' — The view that "Musical Works" (Types) "Always existed" in the math of the universe, and the composer just "Discovered" them.
* '''Creationism''' — The view that the artist "Actually Created" a new abstract entity that didn't exist before.
* '''Artifact''' — An object made by a "Human" with a "Purpose."
* '''Ontological Parsimony''' — The attempt to "Explain Art" with as "Few entities" as possible (e.g., 'Maybe only the physical object exists').
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